Our first installation was titled Sojourn because of the nature of the piece, and the nature of our stay in Paducah. The definition of the word sojourn is "a temporary stay." In this piece, viewers attending the show chose to enter an environment of our creation for a temporary stay.
Layout: Window front gallery space, and studio/installation space in the back
We chose to use the window front gallery space to display eye-catching Mylar sculptures, and a few of my new drawings. The gallery also served as a place for mingling and conversation before and after viewing the environment in the studio. At the entrance to the hallway, attendees were invited to take a flashlight down the hallway to the studio door and use it inside. Sounds from Jesse's electronic composition could be heard coming from the back of the building while standing in the gallery, making it pretty irresistible to go and see what was going on.
Click "read more" to view the rest of the images!
The idea for the show was simple, and the effect was beautiful. I have never constructed an interactive show before, and I found it to be invigorating. I have been working with reflective Mylar for a couple years, so it was also very rewarding to put some of these ideas into action. Jesse's composition set the atmosphere of the environment, and inspired a variety interactions in the viewers. Scroll for images of the show, and a copy of our artist statement for the piece.
Sojourn (Bring Light)
Priya Wittman & Jesse Wittman
Resident
Artists at A.I.R. Studio Paducah
This installation is an
exploration of the relationship between reflective Mylar, light, sound, and
time. The mirror film is cut into
large shapes and laid on the floor.
The exposed areas of the floor become pathways for participants walking
through the environment. The sound
is a combination of synthesized tones and manipulated samples of running water,
playing on a nine-minute loop. Observers
participate in this exploration through their own interaction with the piece,
using light as their tool.
As the participants move
through the space, they can manipulate their lights to create varying
sensations in the environment.
Their choices may be affected by their own nature, by their interest in
the qualities of the reflections, or by the change of elements in the sound
loop. At times the environment can
be peaceful and reflective, at other times it rises to a frenetic state,
dependent on the quality of the sounds and the movement of the participants.
The visual and auditory
elements of the installation instigate a dialogue between the natural and the
synthetic. The audio aspect transforms
sounds of running water into droning expanses punctuated by glitches and
electronically manipulated tones. The visual aspect uses a reflective plastic
film and electric light to create temporary, ethereal landscapes, reminiscent
of sunlight reflecting off of flowing water. Singular elements, both natural and synthetic, are
manipulated precisely to create a mesmerizing environment in which to
contemplate their simultaneous complexity and simplicity.
Coming Soon:
Clips from video documentation of the show, please check back soon!
This looks really interesting, Priya and Jesse! As you say, it is interactive! I can hardly wait to experience the video and hear Jesse's audio score to go with the visual imagery. It looks watery and icy - perfect, as you have spent time in Alaska!
ReplyDeletePretty awesome, you two! Looking forward to the video and audio additions. You both seem to be getting a lot out of this experience and really glad that you are getting this opportunity.
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